Weasel Walter is a Brooklyn-based multi-instrumentalist, composer and improviser best known for leading the seminal punk-jazz/no-wave/brutal-prog band The Flying Luttenbachers between 1991 and 2007 on 16 full-length releases. Seamlessly uniting the intensity and abstraction of improvised music with the nihilist aesthetics of extreme rock forms, Walter is committed to violent momentum, idiomatic unpredictability and rapid
Cellist Daniel Levin has been a major presence on the New York scene for nearly two decades as an active bandleader and as an innovative sideman. His quartet has been active since 2001, having released an incredible eight records, the most recent of which, Live at Firehouse 12, will be released later this month on
Amirtha Kidambi is on the cutting edge of a wide range of music that includes free improvisation and jazz, experimental music, and new music. She is a soloist, collaborator, and ensemble member in a number of groups including the early music-inspired dark folk band Seaven Teares, Mary Halvorson‘s newest quintet Code Girl, analog percussion and
Guitarist/composer Ava Mendoza has a residency at the Stone this coming week, October 25-30, one of the most anticipated events of the Fall season. Having moved to New York from the Bay Area in 2014, Mendoza has had a major impact on the improvised music scene here via a sound that is all her own.
Poet, photographer, professor, and bandleader Thomas Sayers Ellis is the author of The Maverick Room and Skin, Inc.: Identity Repair Poems (Graywolf Press). His poems have appeared in numerous literary journals and anthologies including The Paris Review, Poetry, The Nation, Tin House and the Best American Poetry (2007, 2011, 2010 and 2015). He has been a
Moor Mother (Camae Ayewa) is a Philadelphia-based artist whose work ranges from “slave ship punk,” free jazz, and “Afrofuturist electronics” to photography, poetry, non-fiction writing, and performance art. Originally from Aberdeen, Maryland, she moved to Philadelphia to study photography. As a musician, Moor Mother leads a number of her own projects and has released a
Louise Dam Eckhardt Jensen is a fiery alto saxophonist originally from Denmark who spends a good portion of each year in New York. Over the past decade, she has worked with figures such as Peter Evans, Tom Blancarte, Weasel Walter, Brandon Seabrook, Kevin Shea, Erica Dicker, Matt Nelson, and many other figures on the
James Brandon Lewis is a very versatile tenor saxophone player. Having studied at Howard University and later at CalArts, he has spent the past five years establishing a reputation for himself in New York. A fiery, yet soulful player, Lewis is involved in a number of cutting edge projects including his 2015 release, Days of
Drummer Tom Rainey‘s impact on the New York scene has been immense and often unappreciated (not to mention that his influence has reached far beyond New York). I recently had the opportunity to speak with him about his music and relished the opportunity to discuss his trio (which includes saxophonist Ingrid Laubrock and guitarist Mary
In a generation crowded with trumpet talent, Jaimie Branch has emerged in recent years as a unique voice capable of transforming every ensemble of which she is a part. At times fierce and direct, her scintillating tone also has the ability to ignite music from within while propelling a group organically. In 2015, Branch exploded
