Guitarist/composer Ava Mendoza has a residency at the Stone this coming week, October 25-30, one of the most anticipated events of the Fall season. Having moved to New York from the Bay Area in 2014, Mendoza has had a major impact on the improvised music scene here via a sound that is all her own.
Pascal Niggenkemper’s Le 7eme Continent Talking Trash (Clean Feed, 2016) Players like bassist-composer Pascal Niggenkemper exemplify the fact that, while there is undeniably a New York jazz scene, creative music in the boroughs is about so much more than just geography. While he now calls Paris home, Niggenkemper, who is of French-German descent and studied
Just a handful of times in any given generation, there is a record that screams out with such overwhelming force, such a level of unwavering vitality, a product of the organic creative process made necessary by the social context of the artistry, that it demands we all stop what we are doing and give it
Moor Mother – Fetish Bones (Don Giovanni, 2016) [vinyl] Colter Frazier-Rob Wallace Duo (pfMentum, 2007) Keefe Jackson, Jim Baker, Julian Kirshner – The Noisy Miner (Astral Spirits, 2016) [cassette] The Moon – Good and Evil (577 Records, 2013) Perihelion – self-titled (Aerophonic, 2016) Dan Peck & Bryan Reeder – 1685: Handel, Scarlatti, and Bach (Tubapede,
Band: Leila Bordreuil-Michael Foster Duo Videographer: Kevin Reilly
Band: Flamingo: Chris Heenan, Adam Pultz Melbye, Christian Windfeld Videographer: Kevin Reilly
Band: Ken Vandermark Solo Videographer: Kevin Reilly 1st Set 2nd Set
Band: Tamio Shiraishi, Tim Dahl Videographer: Kevin Reilly
Band: Ken Vandermark Solo Videographer: Kevin Reilly
Band: The Few + Ken Vandermark Videographer: Kevin Reilly 1st Set 2nd Set
