Beginning tomorrow, the 4th New Ear Festival begins at the Fridman Gallery with an exciting lineup. All performances 8 pm. Admission $20/$15 students. Buy Tickets Wednesday, January 9 Mary Lucier (slide projectors/stopwatches) Luke Stewart (bass/electronics), Miriam Parker (dance), Patrick Cain (video) Bob Bellerue (amplified & acoustic percussion, feedback) Thursday, January 10 Leila Bordreuil (cello) David
We want to take a moment to thank all of our readers for supporting Jazz Right Now in 2018. The number of visitors to our site increased by over 9% this year. The share of our readers coming from outside the United States continued to increase as it has over the past 3 years. We
Fridman Gallery is celebrating its fifth anniversary in the West Village and they are hosting a week of amazing concerts. The bills pay tribute to the wide variety of cutting edge music happening right now in New York and beyond. For a full listing, see the Fridman Gallery website.
At Jazz Right Now, we have been positively overwhelmed by the response to our recent post about challenges faced by members of the musicians’ community. The post went viral on social media and drew many vocal supporters. In consultation with the musicians involved, we have elected to remove the post to avoid any possible backlash
At Jazz Right Now, we have been positively overwhelmed by the response to our recent post about challenges faced by members of the musicians’ community. The post went viral on social media and drew many vocal supporters. In consultation with the musicians involved, we have elected to remove the post to avoid any possible backlash
Guest Writer: Adin Rimland Gentrification is described as a replacement of lower-income populations and businesses in a specific neighborhood by more affluent ones. Gentrification actually goes beyond displacement and includes the replacement and exclusion of certain populations and businesses from a neighborhood. In this article, I want to touch on the elements that create a space which allows
As part of the groundswell of activism that has emerged from the #MeToo movement, the We Have Voice Collective–an organization composed of fourteen female and non-binary artists–has issued a code of conduct demanding zero tolerance of harassment of any kind in the performing arts. The collective is composed of artists who represent a diverse array
Jazz Icon and five decade long AACM collective member, Wadada Leo Smith has curated the second annual CREATE Festival which he founded in April 2017. The two-day, New Haven, CT based festival which will take place at Firehouse 12, will feature five separate ensembles over two evenings and include an exhibit of Smith’s Ankhrasmation Symbolic
VAX Dispatch, No. Three-Hundred thirty vax if you delve into the twisted underbranches of the brooklyn historical society archive you can confront yourself with cisco bradley’s VAXterview. shoveling the dust off a couple other old blogs, you will sniff the persistent remnant vapors of evidence of past brilliance and you should see the look on
A REVIEW BY JOHN MORRISON “The Freedom Principle” is a common thread that runs through Black life in America. In the abstract, it is the collective/culminating desire for autonomy and self-determination in an oppressive society. This principle lives as a historical continuum, manifesting itself in our collective cultural, political and spiritual moods, challenging the dominant
