From the multi-everything artist Fritz Welch: It’s an interesting question, “What have you been doing during the past two years?”. Coincidentally a few people have asked me the same thing. I have no idea why! However there was a significant event that occurred almost 2 years ago to the day: everything went silent! I don’t
From the artist No Land: Rain of Gems in Eye’s Illusory mosaic: Rumination on two years “Seek a tincture of distilled sound, a jeweled tongue & be still of yr shadow mouth Distinction lies in reverence to high order.” Navigation of the street Interior. Mornings of snow light, coffee, window meditations revealing the ship’s mast
From poet and writer Paul r. Harding: New Directions in Spoken Music: Introducing Juju Seahorse Maybe this blue-brown ship is the ocean and vice-versa. The sky not a sky at all but a mirror of rhythm, of pure sea lyricism. Of that realm of truth that spells no such thing as nowhere as long as
Alfred 23 Harth, also known as A23H, German multimedia artist, bandleader, multi-instrumentalist musician, and composer, recently released a duo album 55 Quintets with Korean trumpeter Choi Sun Bae (originally included in Ballet Music, but very few persons have this CDr). [bandcamp width=100% height=120 track=900400424 size=large bgcol=ffffff linkcol=0687f5 tracklist=false artwork=small] Soon after extending his work
Since the beginning of the Pandemic in the early 2020, I had a lot of time to think about what would be my next project. I wanted new compositions to reflect on the state of the world and the time we are living in, but also it was important for me to express my personal
The difficulty of approaching music with words was aptly put by Henry Threadgill in the following: “The process of talking about and defining music literally is one of monumental proportion. Yet this tradition does have a long and uneven history and many precedents. To me this proportion is like trying to define apples with pears,
From trumpeter and composer Nate Wooley: I haven’t counted my last two birthdays. I figure that, since I didn’t really “live” those years, I shouldn’t have to add them to my age. But, since the easing of restrictions, I’ve been able to go out and play some music, and that’s getting me somewhere closer to
From drummer and composer Tim Daisy: When the lockdown began in March of 2020, my initial reaction was to take a pause from music and just “wait it out” for a couple of months. When it became clear that COVID-19 was a virus that wasn’t going to go anywhere, I began to strategize on how
From saxophonist and composer Dave Rempis: At the onset of the COVID pandemic in the US in winter 2020, I was on tour. First in Europe for 10 days with Michael Zerang’s Blue Lights, ending with a performance with Michael and Elisabeth Harnik at the ArtActs Festival in Austria on March 6. I then flew
From saxophonist and composer Angela Morris: I’ve spent my pandemic time composing, blobbing, putting on shows for my series Brackish, recovering from two broken bones, teaching over zoom and in schools, protesting, and occasionally performing. Mostly trying to keep the emotional boat afloat! In April 2020, Anna Webber and I released our big band’s debut
