From trumpeter and composer Jacob Wick: The last couple of years have not been good. The most politically, aesthetically, and intellectually interesting thing to me about music and art is intimacy—like, what people do together in a given space. The most profound effect of this particular ongoing pandemic has been a cooling, or in some
From the multi-everything artist Fritz Welch: It’s an interesting question, “What have you been doing during the past two years?”. Coincidentally a few people have asked me the same thing. I have no idea why! However there was a significant event that occurred almost 2 years ago to the day: everything went silent! I don’t
From the artist No Land: Rain of Gems in Eye’s Illusory mosaic: Rumination on two years “Seek a tincture of distilled sound, a jeweled tongue & be still of yr shadow mouth Distinction lies in reverence to high order.” Navigation of the street Interior. Mornings of snow light, coffee, window meditations revealing the ship’s mast
From poet and writer Paul r. Harding: New Directions in Spoken Music: Introducing Juju Seahorse Maybe this blue-brown ship is the ocean and vice-versa. The sky not a sky at all but a mirror of rhythm, of pure sea lyricism. Of that realm of truth that spells no such thing as nowhere as long as
Since the beginning of the Pandemic in the early 2020, I had a lot of time to think about what would be my next project. I wanted new compositions to reflect on the state of the world and the time we are living in, but also it was important for me to express my personal
From trumpeter and composer Nate Wooley: I haven’t counted my last two birthdays. I figure that, since I didn’t really “live” those years, I shouldn’t have to add them to my age. But, since the easing of restrictions, I’ve been able to go out and play some music, and that’s getting me somewhere closer to
From drummer and composer Tim Daisy: When the lockdown began in March of 2020, my initial reaction was to take a pause from music and just “wait it out” for a couple of months. When it became clear that COVID-19 was a virus that wasn’t going to go anywhere, I began to strategize on how
From saxophonist and composer Dave Rempis: At the onset of the COVID pandemic in the US in winter 2020, I was on tour. First in Europe for 10 days with Michael Zerang’s Blue Lights, ending with a performance with Michael and Elisabeth Harnik at the ArtActs Festival in Austria on March 6. I then flew
From bassist and composer Nick Dunston: Somehow, I am fortunate enough to be currently on a plane to another country for a mini vacation with my partner. To be honest, the end/start of the calendar year has never felt particularly conclusive nor refreshing for me, but any opportunity to sit down with my thoughts, reflect,
I had the opportunity to talk with drummer Colin Hinton over the past six months about his music, training, and perspective as an artist. Cisco Bradley: You are about to release a collaborative trio record with Rema Hasumi and Shawn Lovato. How did that band come together? What concepts and ideas are you collaborating on?
